About
www.myspace.com/greatestguitars
Kevin knew from the time he was 14 that building guitars what he would do for the rest of his life. Kevin joined Kaman Music Corp in 1989. He was head repair man at the New Hartford CT plant for 20 years, leading the customer service department responcible for countless process improvements for Ovation, Hamer, and Guild. He’s worked on the personal guitars of a long list artists and celebrities as well as doing private repairs on Olson, Traugett, Martin and other high end instruments.
Being the man that fixed broken, swelling, sinking, spliting and splintering guitars, Kevin has had lots of time to think about how best to build them so they for stay together. Kevin always comes back to the fundamentals of design. He rarely makes two identical instruments, and the next guitar is always built differently than the last. From Brazilian Rosewood to Spalted Maple, it sounds good.
Currently Kevin’s guitars are being played by the likes of:
Pink (Alecia Moore)
Carey Hart
Butch Walker
Ben Pegg
and others..
Here are some links for some of his builds:
Doubleneck Brandon Lentz – http://www.acousticguitarforum.com/forums/showthread.php?t=140986
News Article about Kevin – http://www.examiner.com/x-24212-Bridgeport-Local-Music-Examiner~y2009m10d12-Kevin-Clark-acoustic-guitars
Sinker Monkeypod – http://www.taylorguitarforum.com/forums/showthread.php?t=165791
“I guess no one knows how to build a guitar anymore.
“But to be honest, we’re just a bunch of people. We’re all doing the same thing.”
That’s what we are, three people in a house built contradictory to his first sentence. He was proven wrong by how his house accepted the acoustical chemistry inspired.
The more we admit we don’t know, the more we are acquainted with the sound-hole of honesty. The more we admit, the less time we waste pretending.
Twigs and steel he transforms into musical instruments, but those instruments are turned into music like a kind of gold you can hold in your ears as your hands toss it at each other from where you sit, on a couch, within a guitar of a house.
Their two necks were one two neck, priceless in composition uncarveable.
“Take the planet earth, and build a guitar. We all feed each other. Without the world, we’re all fucked.”
It is a symbiotic relationship that grows, the earth into trees, the trees into guitars, guitars inside of houses of guitars. This is how you get beyond menial daily grunts. Reach into your ribcage, past your heart, to your soul where the honesty of music resides.











